Located in Hexagram’s Black Box space – a space meant for creative exploration, development and prototyping, the installations, performances and projections of Frankenstein’s Ghosts previewed by a curious and enthusiastic public audience today.
Based on the 1818 Mary Shelley novel, the monstrous creation that arises from Frankenstein’s Ghosts is not one created by the collected bones of the human frame, but rather, one created in collaboration between artists and academics.
In its third stage of development, the concept behind Frankenstein’s Ghosts was conceived of over three years ago in order “to explore Mary Shelly’s novel in all of its forms… [primarily focussing on] the idea of Creator vs. Creation and the social implications that those kinds of things have” says visionary and choreographer of the project, Michael Montanaro.













Canada and the global struggle for economic and environmental justice
Part 1
Part 2
Part 3
In 2010, Canada is playing an important role at the Social Summit on the Environment in Bolivia and the G8/20 meetings in Ontario. In this roundtable hosted by Judy Rebick, CAW Sam Gindin Chair in Social Justice and Democracy (Ryerson University), participants discuss the shape of the global movement for economic and environmental justice, focusing on the influence of Indigenous movements, and on the opportunities the G8 and G20 meetings hold for reshaping social movements. The panel’s third and final speaker was rabble.ca blogger Fred Wilson, of the Energy and Paperworks Union and the Council of Canadians.